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Care is not an ‘add on’ at a Ryman village, it is built into the fabric of our villages from the very beginning. It’s comforting for couples and friends to know they can still be near each other even if their health needs are different.
Rita Angus care centre offers a full range of care options including resthome, hospital and specialist dementia care. Like all aspects of our villages, we constantly look for ways to improve both the care we provide and the innovation behind it. Care is customised using our myRyman care app and residents love the food in our seasonal Delicious menu, which is prepared fresh on site by village chefs.
Rita Angus is one of over 80 percent of Ryman villages that have been awarded 4-year certification by the Ministry of Health. It’s recognised as the ‘gold star’ standard in care.
That’s why each Ryman village is named after a Kiwi or Aussie trailblazer. Anthony Wilding, Lady Diana Isaac, Evelyn Page to name a few. They lived with passion and purpose, they pushed further, they went beyond the ordinary. That’s exactly what we strive to do every day at Ryman. To pioneer a new way of living, for a new retirement generation.
Rita Angus was an exceptional New Zealand painter and a leader of the twentieth-century art scene. Committed and inspiring, Rita prompted many other artists to reconsider their painting style and work ethic.
Primarily using oil and watercolour, she is best known for her unique landscapes and portraits of New Zealand scenery. She carried reservations about following trends, committing instead to displaying and defending her own painting style.
During the 1930s and 40s, the artist painted many scenes from Canterbury and Central Otago. One of her best known and loved pieces is Cass, painted in 1936, which was voted as New Zealand’s most loved painting in a 2006 television poll. The distinctive painting of a Canterbury landscape received critical acclaim in 1940 when it was exhibited at the National Centennial Exhibition of New Zealand Art.
The eldest of 7 children, Rita was a pacifist whose beliefs shone through in her work during the 1940s wartime. She purposefully avoided any artistic reference to war, with the philosophical intention that her art was to “create life and not destroy it”.
After her death, Rita’s reputation continued to flourish as evidenced by the National Art Gallery’s artist-dedicated exhibition in 1982.
For further insight into the moments that shaped Rita’s life, Rita Angus: An Artist’s Life by Jill Trevelyan paints a clear picture of the artist’s vibrant life story.
